the streets are talking and the new corner is here produced by shawn o sullivan and a joint track by civil duty produced by shawn & beau wanzer of mutant beat dance ...this release wasnt made to have fun too, the artists who produced these tracks had real bad intentions in mind to destroy all in its path with no regard for human life ... straight raw driving modulated analog techno of the highest regard! tip

with dangerous released in november 1991, michael jacksons career really sustained its high. the album entered the billboard 200 album chart at number 1 and sold over 32 million copies worldwide in the space of 17 years. the riaa certified dangerous 7x platinum for shipping 7 million copies in the united states.
remastered audio on 180 gram audiophile vinyl.

after inigos well-received previous release >the shard<, he now steps up again with 2 epic pieces of electronic beauty.
i still find it hard to describe music after all these years, as i think the most important is what people feel when listening to it rather than pigeon holing the hell out of it. i simply love it, hope you do too. (kr!z)

jtc is a phenomenon. one alias of the multi-talented tadd mullinix. one part of a mind that also houses dabrye, sk-1, charles manier, and halves of tnt, 2am/fm and x2. this time round, on park days, he flexes a house side that has not been seen too often in his career of 13 years. whether the driving groove of south brooks, the late night drum machine jam of argo, creals ever evolving scatter, or the delicate gallup, park days is one of those records where everyone has a different favourite. ie - a good one. we are honoured to release this mans music. a man that continually remains out of the spotlight, yet is revered by your favourite producers for at least one of his many aliases. a man that ignores trends, hype, trickery, and just returns every now and again to nudge that bar a little bit higher than he left it last.

this record is a soundtrack for excentric nightlife. bringing back to life images of wild parties at artists workspaces in paris in the 1920s, early mornings in belgian nightclubs in the late 1980s and driving classic italian sports cars during long hot summer nights. but this is not just a dream, we are here to live this life! enfant terrible serves you contemporary music to spice up your nighttime activities... limited edition of 350 copies.

the original motion picture soundtrack for quentin tarantinos *django unchained* as double 12 inch vinyl in gatefold sleeve.

as the london & berlin based somethinksounds imprint approaches a tenth release since its inception in 2010 we have learnt that although you can never be too sure of what they are going to serve up next, you can be sure its going to be of the highest quality. whether it be unearthing exquisitely produced idm by lucky paul, future house sounds from rising stars such as eliphino and ossie (black orange juice) or straight up club bangers by some of the biggest hitters in the game (gadi mizrahi of wolf + lamb), this time they deliver what could be one of the most infectious vocal drops of 2012 on artifacts sensational double a-side the way it do/we trapped.

clone royal oak and chicken lips present randee jean. a new project by dean meredith and andrew meecham (chicken lips, bizarre inc) delivering some classic jazzy rhodes driven uk house vibes! classy production and some fine recorded instruments and vocals on the original mix. dexter & awanto3 teamed up for the occasion and deliver two fresh and sharp remixes. arttu,the finnish boy wonder played around with the recordings too and came up with a heavy 4/4 thump with layers of samples that let the funk out. killer package!!

two original classic members return too classic with an adventure into the world of disco deviance. tim kvasnosky (co-writer with tim shumaker from home and garden fame) and jt donaldson (undercover agency) joining forces here, utilising their wealth of musical knowledge and inspiration to make something that melds the likes of wally badarou, the system and maurice fulton.

four releases in now and the quality continues on midnight love club! montel presents the forth release in the shape of 3 heavy duty club cuts with a rather distinct nod to the house sound of 90s nyc/nj. there s not too much info on this montel character, but one thing we do know is that he s a man with a penchant for vintage house & garage. a dj, collector and producer that has decided to give back a little after all these years. and these years of experience are certainly evident in his authentic house and garage sound that has already picked up a fan base that includes bicep, jordan peak and waze & odyssey!

with this third release we have returned to the structure of our first release together to bring you too wicked examples of his original take on house with a final track to send you on your way bathed in psychedelic sunshine vibes. how leon manages to combine ruff edges with smooth vibes is a talent in itself.

pit spector comes back with a second solo ep on minibar. the first one is amazing, the second one is too. working for years on various musical projects (antislash, avas verden, cellule eat, radiozerozero), pit presents a really personal release witnessing his work in studio. the results are mental and dancy tracks mixing instruments and machines, space vocals and weird samples. completely involved in parisian electronic scene, pit switch between his work at zerozerobar and producing music.

with its non-placed devices and hard-to-pin-down aesthetic falling between electronic and psychedelic music and the warm-hued sounds of traditional acoustic instruments, burnt friedmans zokuhen,produced exclusively for vinyl, may be considered an extension of bokoboko. on this new double ep, too, the music focuses on uneven rhythms that dictate the groove for all the participating musical elements and display a formal logic to which all the instruments gladly succumb. with its even rhythm and proximity to dub reggae, the track kon ki (c2) shows that exceptions from the rule are permitted among the six new tracks and two re-worked bokoboko themes that round off this follow-up.

the e.p kicks off with she can dance, a slow burning acid number that has elements of deep, grooving house from the detroit school. in fact, the second cut low control bares the influence of detroit too, with its murky, dubbed-out chords ala luke hess moving into a punchy bassline with minimal but functional drum patterns. proceedings get a bit more bouncy on the smoking hat, a quirky acid romp on the less daft side of ceephax, and the perfect soundtrack to accompany a feature-length documentary about.... a smoking hat. finishing up the e.p is fudge fingas remix of low control, the only man qualified to make an already deep as fuck track even deeper. theres been some on-point criticisms about a lot recent deep stuff getting lost in noodly jazz territory, but we are in no danger of that nonsense with fudge fingas at the controls: accomplished a musician he may be, hes never been one to lose the way, and this mix proves his deft and subtle remix talents. dabj done done it again, and hopefully this is the first in a long line of productions from vernon.

over the last year i have traveled to canada frequently for gigs and got to know the small but healthy electronic music scene there. cities like montreal, vancouver and toronto have brought forth many established artists over the past few years, such as egyptrixx, azari & iii, basic soul unit, jacques greene, lunice and sixtoo, but 2012 has seen a new breed of no-nonsense house and techno producers come up via labels like turbo recordings and naked lunch. this *dovercourt ep* features three very talented producers: kevin mcphee, nautiluss and gingy. their tracks are a dedication to their hometown of toronto. being removed from the house/techno epicentres of berlin and london, these three are much less interested in what is fashionable or trendy, and more in bringing us straight to the point, no frails jacking house music. i have been playing these three extensively in my dj sets, and i hope you will too. so out to toronto, this one is for you! enjoy. martyn

holly and lawyer dave are back with a limited edition live album, originally available on cd as a tour only release until we persuaded them that it needed to be on vinyl too. this album features 10 tracks including holly & the brokeoffs standards like >devil do<, >medicine water< plus a cover of the lee hazlewood classic >dark in my heart.

the first new studio recording by zz top in nine years, produced by rick rubin and billy f. gibbons. double 12 inch in gatefold sleeve, 45rpm pressing on heavyweight 180 gram vinyl, mp3 download code included.

40th anniversary edition in gatefold sleeve, includes new introduction by elektra records founder jac holzman and new liner notes by original producer / compiler lenny kaye. mastered from the original analog album master and pressed on heavyweight 180 gram double 12 inch vinyl.

without revealing too much, this tasty sampler is a prequel to some very nice things ahead. for now, we can treat you to two music box inspired edit tracks. ... tip! essential stuff!

the >just for fun< ep starts with the title track just4fun, which in fact breathes fun and doesnt take itself too seriously. the funky and highly infectious keys and the butt shaking groove will remind you of a track that moodymann never made, but wishes he had. next comes unlimited01 with a joyful piano melody that would fit right into a french disco with a funkier version of alain delon behind the decks. still, the rhodes chords, the slow sexy groove, the vocal hooks will get you moving in no time. thang then goes into a more detroit beatdown direction with its deep chords and smooth pads. it creates a mellow atmosphere with an almost relaxed summer feeling. this is what a funky pimp would listen to on a night car drive. the ep ends with spiritual almost tribal rhythms. inspiration would be a nice soundtrack to a 70s orgy orchestrated by a groovy guru, surrounded by a magical circle of mystical dancers. over the top? sure, but the track would certainly get this party going.

two definitive dancefloor powers collide with some dark, space, psych-out grooves. dont worry, there is some melody going on here. a serious electronic feel too. the deep vibe of early acid house minimalism is abundant as well. just listen, and all shall be revealed. as for the artists…? well, old school meets new school.

hello listeners, blunt heads, fly ladies and prisoners. this is the future of the music industry. not the music, just the idea of the artists writing their own pr faffle. next year ill probably have to carry my own bags on tour too tragic.

dirty minds – i m for pleasure (claptone vocal + dub mix) is the first in a series of eskimonde 10 inch releases. limited edition, with exclusive artwork.the claptone remix of >i m for pleasure< was one of the many highlights on our anniversary box eskimonde - a decade of eskimo recordings. the vocal version is featured on the remixed disc of eskimonde, which contains 12 new and unreleased remixes. now it will be available on vinyl too. the 10 inch is backed by a yet unreleased claptone dub mix of the track.

each track has been produced, played on, arranged and mixed by yousef, with collaborations coming from mercury prize nominee gwilyam simcock on the open and fresh sounding album finale dissolve . in fear of dusk features neil campbell, one of the uk s finest classical guitar players, creating an evocative masterpiece that is arguably yousef s strongest (and most complicated) club offering yet.already the dancefloor workouts have received heavy support from dj elite, with loco dice, magda, carl cox, guti, uner and nic fanciulli already wearing thin the promo copies. the project has allowed yousef to open up his collaborative instincts too, inviting some unknown but extremely talented musicians to perform.

mogwai melden sich mit dem grandiosen neuen remix-album >a wrenched virile lore< zurück!

marking their full debut on real tone, the martinez brothers (chris and steve) have concocted a lethal two-track ep full of dancefloor appeal and encompassing both new and old school house music influences. the new york-born twosome have always had a close affinity with the french label, with boss franck roger s penchant for nyc sounds forming the foundation of a common bond between the artists.
already support by laurent garnier, anja schneider, dixon, tripmastaz, burnski, filsonik, michel cleis, nick curly, arno e.mathieu, yass, master h, and.id, pirupa, boris werner, rainer truby, molly…,

andreas saag returns to local talk with a follow-up to his back to life ep, this time he has invited longtime friend and studio partner cazuma mori, together both of them offers the local talk fans house music with a distinctive production technique. >nostalgia< is a warm stomping basement beats floor-filler, with a fat bassline tempered by rising chord textures, smartly coordinated with the pulses in the track. both saag & cazuma showcases their skills in tackling slower bpms too. the b-side >cant hide it< comes with intricate keyboard work and deep atmosphere that is driven by an appealingly on-point house bassline. the track picks up a new elements at just the right moment to keep you on board the whole 8 minutes. there is no messin around here, just pure deep house from local talk.

the legendary 1969 beatles album - remastered from the original stereo analogue master tapes, pressed on heavyweight 180 gram vinyl.

joker returns to form with this excellent 12 inch, presenting >old era< – a future proof dancefloor smasher backed by deadly re-mix from bristolian purple partner in grime, gemmy. very few producers can capture mainstream interest while focusing on an honest, underground vibe – joker is one of them and he has done it again! watch out too for the accompanying video of >old era<, which features a fully animated liam mclean, aka joker, riding his motorbike over barren land-scapes on an essential mission!
dj supports from benga, mistajam, n-type, mrk1, surgeon, bok bok, guido, gemmy, rsd, blackdown and many, many more!

two previously unreleased mixes of >tonite< by aaron fit siegel, with vocals by lrenee. the o.g. mix is a version fit started working on to be a dub version of >tonite - original mix<, but morphed into something a bit more epic, and due to time constraints could not make it on the initial release. the d.d. version, is based on the original demo track fit wrote before any vocals were recorded, then edited and dubbed out by omar-s. if you liked the original release on fxhe, be sure to have this one as well and if you dont have the original release then you better get that one too!

supported by moodymann, theo parrish, rick wilhite, tom trago

pimprinella 006 comes along with 2 newcomers, the cologne based guys freiboitar. few months ago they just dropped the demo track floetenflirt to our box and shouted we are big fans of pimprinella!!! and what can we say? little puppie is a big fan of kölsch beer now too! if you remember rene bourgeois playing on fusion festival this year, then you ll be aware of his remix. and finally we welcome jules & moss, 2 great guys from france who already released on dirtybird, flash, musik gewinnt freunde or session deluxe. chapeau, violet one!

the first new album by soundgarden in over 15 years! double 180 gram vinyl lp in gatefold sleeve, includes code for free mp3 download of the full album.

plymouths 14th best dj aldo vanucci drops his latest in the form of this killer ep. >you re all show< features the sublime vocals of kylie auldist - best known as the lead singer of the bamboos but also a massive star in her own right. in this track she lyrically tears down some unfortunate individual who has been showing out a little too much. >take me to a party< features rappers asm batting off the unwanted attentions of the post gig sparkle ponies and with aldos backing creates a classic hip hop party vibe. >what happened?< re-works a classic vocal to devastating effect and >alone< re-creates the off kilter breakbeat vibe of aldos biggest track to date >when i see you smile<.

nice price deal !!! aÑa / henning baer / norman nodge / musk.... no one knows exactly how, or why it happened. we can only postulate. perhaps it was rogue hydrogen atoms causing havoc again, or a particularly voracious wave of em radiation hell bent on finding a good time. the point is, (in those days) such lude behavior was simply unacceptable: aÑa had become excited, too much so for the solar stiffs that swirled about her. and that system of hers—always buzzing around, refusing to share anything—it had to go. so both were exiled from that collision patch they called home, leaving aÑa and her system to wander the cosmos. some years passed. aÑa grew a little, but mostly she practiced her basswalk—not this girly swooshy thing with your hips, but a real bolshy bovver boot stomp. after a while she got pretty good at it, she wanted to show her friends. maybe theyd like to basswalk too. well, they couldnt get enough of it—but no one did it quite like aÑa. henning baers had a bit more groove to it and this whole new tweaky hat element. norman nodge kept his pretty punchy, but all that time spent in berghain had turned his basswalk into a bit of a skulk. as for musk, the boys inverted the whole thing of course—turned a disco trick, shifting the march down into more of a slinky house glide. aÑa liked them all so much—and it was time isolated system stopped being such a separatist—she decided to gather them all together to make basswalker part i. now you can basswalk too

hi. this is dompteur mooner. my new record is coming out on my sublabel super tahoe edits, and it is called girls girls girls. just like my previous record, greatest hits, and music for espionage it s a concept album: this time, only girls bands were used as sampling material. because girls like to dance and girls love pop. and us boys, too. put it in the drawer new wave / dance orientated rock / proto-house. limited to 500 handmade copies. hope you like it.

the balearic gabba sound system edits saga continues

italian producer joe drive serves you his first ep for 4lux. and what an excellent ep this is. deep house tracks with a true analogue feel. rain dance is an exquisite deep house bomb with smart tr707 drum programming, deep driving bassline and disco-ish vibes. title song junopolis is dedicated to the legendary juno synths and shows you capabilities of these machines in clever fashion. alden tyrell brings you the extremely deep remix for tefnut: steady drum programming with spaced out synth filtering and dubby tape delays. this is one for the heads for sure. joe drives original is included too. recomended!

jolly mayhem, this one is sure to rock the floor & is already getting major support from some serious heads! the flipside is a more mid tempo house affair but is equally as devastating. richard from milwaukee takes on better off, a stomping disco groove which escalates into full-on crowd control.its all about the classics here, with richards trademark chunky percussions & synths galore. did we mention the bassline? kick back to this one. dj kaos jolly jams imprint delivers again!

benny rodrigues is not only a nice dude with his first 12inch for desolat. his recording career goes way back to early collaborations with afrojack or darko esser, as rod he releases on klockworks and clr, has remixed josh wink and dj pierre. the list can go on, but well focus on our lovely release here. somewhere between relentless prime time techno and stripped-down house grooves, with woozy chords carried on a jet-stream of tight rhythms, this is definitely our favorite benny rodrigues release. enjoy!

a musician on a mission, navid izadi has quickly risen from a san francisco club kid to buzzing new one to watch. rolling as a dj, singer and rapper (but rarely over rap beats), and producing music that effortlessly weaves between influences, his talents are being drafted in and championed by a range of industry heavyweights.

nice price deal !!!

the layabouts are anything but. 2012 marks leigh darlow and alex paschalis 10th year together and they have never been so in form or demand. their cast iron reputation for quality deep soulful house – house music forged with feeling and real purpose – continues, impressively, to grow.
rhythm master darlow and guitarist cum orchestrator paschali first met in 2001– in home city london – off the back of various projects in the same studio space. in time, their mutual love of expressive house music would lead to cult licks feelin right and the way i feel, sizzling material for kenny dope gonzalez and hot-to-trot remixes of dj spinna, da lata, dj spen and robert owens, and soulsearcher.

rune lindbaeks drum island returns! having joined forces with celebrated vocalist kurt maloo for this superb balearic vocal gem, rune has drafted in an all-star remix line-up too. superb versions one and all from cos/mes, seahawks and ray mang.

praterei returns with their 5th instalment and so do those twins with their second successive offering to the vienna stable! the ingredients on this one are similar to the last but the result is no less stirring. the rough and ready side of the 12 belongs to the aptly entitled >house< and youll see why. never straying too far from the old school... shuffling beats and rims keep things swinging. each layer of the melody is deep in youll be whistling this later territory and intermittent vocal shouts remind us exactly what it is we are listening to. the flip beckons for you to walk with me and that you must. the beat saunters along but always with a sanguine skip and our seductive protagonist guides us through the warm textures of rich pads and stabs. this is one of those records where, for both tracks, the message could not be more perfectly translated. every aspect contributes to a common goal, and thats a rare and quite special thing.

the dead as disco strike again with another 4 track ep created under the influence of too many years of ron hardy, dirty warehouses, piles of vinyl and a deep love of the chicago roller boogie groove. features edits of peter brown, ashford & simpson, walter jackson and more.

already supported by adam x, rod, developer, dadub and more. the second release on ang vinyl records. a label that moves around the underground scene. it doesnt care about being in the right place at the right time, but only wants to express itself. here conrad van orton shows his dark and obsessive side, experimental but not too much. a release that involves the listener from the first sound, arriving in atmospheres that have no boundaries. the re-edit signed by the labels owner gianluca angelini makes the potential of the label understandable. define this release as a trip? its your choice!

yo! this is new music for kids on the block. breaking and shaking. coming in a too unlimited edition. so get your copy and join the club. all tracks done by known artists. it is more than name-dropping. this is dropping good music. no further introduction needed because everybody knows everything in these times. thanks for reading this. peace.